As chaotically comical because the trailer is, the purpose of the sequence is sort of severe, aimed toward selecting aside the pervasive tradition of misogyny in tv. Murphy’s Allison is the image excellent housewife till she’s not, breaking the fourth wall to show years of pent up resentment and pure rage at her state of affairs. With the character’s sudden psychological shift, Kevin Can Go F*** Himself intends on exploring what occurs when girls have a possibility to push again in opposition to problematic TV conventions and tropes. It’s a far cry from the position that introduced put her on the map — would Alexis ever, like…kill somebody on objective? — however Murphy’s hoping that Allison’s rage in opposition to the machine will encourage some vital introspection.